1,448 Royalty-Free Audio Tracks for "Akg C"

Garage door closing.

Thirteenth chord CMA13(sharp11).

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Hungarian major scale on C

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

11-tet scale on C. MIDI pitch bend matches intervals.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

First phrase of "the minstrel boy" by thomas moore (1779–1852), played on a yamaha plastic alto recorder, and recorded using an akg c414 xls mic and tascam dr70d recorder.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 4th movement

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Microphones - rode ntg3, 2x rodnt5 (ortf), akg d112mkii.

Palo de lluvia single short sound. 24bit44. 1khz. Sounds recorded with an akg c3000 in my home studio.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Audio-technica at4040 (mid)akg perception 400 (side)sound devices mixpre-6 @ 24/192adobe audition (edited, normalized, downsampled). Mics placed on pedestrian walkway facing dam spillway at a 45-degree angle from about twenty feet away at closest approach. Around 2pm, slightly breezy, approximately 26'c, sunny. . It's a funky mid-side configuration with dissimilar mics, i wanted to try this, expecting the at4040 to be a step up over the akg perception 220, but i knew this would be more dissimilar to the akg 220+400 pair. . . I've begun to notice how peaky the akgs can up around 5k-10k. What do you think?.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

Mono x 2shotgun sennheiser me66 + k6zoom h4n. Printer - brother dcp-j41100w.

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Piano concerto no. 2 in c minor, op. 18 - i. moderato

His name is mushi, he's a white-bellied tabby cat who is about twelve years old and has been very vocal as long as i've known him. Akg perception 220 (mid)akg perception 400 (side)sound devices mixpre-6 recording @ 24/96normalized, downsampled to 16/44. 1 in cooledit 2000.